Last Sunday night NBC televised live the rock opera, Jesus Christ Superstar, the adaption of Andrew Lloyd Webber’s and Tim Rice’s 1970 musical stage play.
The storyline is told from the point of view of Judas Iscariot. In the opening song, Heaven on their Minds, Judas is speaking to Jesus and says.
“Jesus! You’ve started to believe
The things they say of you
You really do believe
This talk of God is true.
Based on Biblical accuracy, it goes downhill from there. From Rice’s and Webber’s perspective, Jesus was not the son of God just a “super prophet.”
When Superstar first hit Broadway Tim Rice had this to say about Jesus:
“For me it obviously indicates that, Christ was just a super-prophet who – a fantastic man, who made a big mark on his time, and we don’t really know all that much about him. The fact that an awful lot happened in Christ’s life that could easily be legend, I don’t think diminishes the importance of the legend. But, I think, as the years roll on, in the 20th and 21st centuries, I think less and less people are going to think of Christ as a god, and I think more people are going to see him as a generally good thing. I don’t see him as a god at all, and the opera doesn’t categorically say he wasn’t but I think it leaves the question very open.”
The entire Opera pictures Jesus as confused and doubting, questioning God, and wondering if he will be remembered at all. The Bible, however, clearly shows that Jesus knew and embraced his mission to earth.
At age 12, he said, “I must be about my Father’s business” (Lk. 2:49). During his ministry he affirmed that he came to do “the will of the Father” (Jn. 4:37-39). Through his miracles, teaching, and interaction with sinners he confirmed that His work was “to seek and save that which was lost” (Lk. 19:10).
Christ is pictured in the play as being angry, frustrated, and disconsolate. Overwhelmed at the crowd seeking healing, he even hints that he’s powerless to heal them all.
There’s too many of you — don’t push me
There’s too little of me — don’t crowd me:
However, the Bible says Matthew 12:15 says that when Jesus tried to withdrew himself and the multitudes followed him “He healed them all.” No one was turned away.
Superstar suggests that Jesus was impure in His relationship with Mary Magdalene, who supposedly was a prostitute. Judas objects to Jesus’ relationship with Mary and warns him that a scandal will erupt if He’s not careful.
The Bible doesn’t say Mary was a harlot. It does say Jesus cast 7 demons out of her and along with other women, she was a follower of Christ (Lk. 8:2). Furthermore, Peter affirmed that Jesus was sinless and free from deceit (1 Pet. 2:22). The Hebrew writer describes Jesus as “holy, harmless, (and) undefiled (Heb 7:26).
Then in Mary’s song, “I Don’t Know How to Love Him” she sings “He’s a man. He’s just a man.” This is contrary to the Bible account that shows that Mary was an ardent disciple of Jesus, a believer, who was present at the empty tomb and saw the resurrected Savior (Lk 24:1-10).
During the Passover Supper, when Jesus institutes the “Lord’s Supper” in which he commanded us to remember Him (Lk 22:17-20), Superstar has Jesus accusing His disciples of not caring about Him. Then he says:
“For all you care this wine could be my blood
For all you care this bread could be my body
I must be mad thinking I’ll be remembered — yes
I must be out of my head!
Look at your blank faces!
My name will mean nothing
Ten minutes after I’m dead!”
Finally, in Gethsemane’s garden where Jesus is supposed to be praying to God, he says,
“Can you show me now that I would not be killed in vain?
Show me just a little of your omnipresent brain
Show me there’s a reason for your wanting me to die
You’re far too keen on where and how and not so hot on why.”
Jesus is portrayed as “sad and tired,” having lost His original vision. Considering becoming a martyr, Jesus selfishly asks, “Will I be more noticed? What will be my reward?” The song ends with these evasiveness words: “Take me now, before I change my mind.”
Much more could be offered to demonstrate the blasphemous perversion of the Biblical accounts of Jesus. As one writer expressed it “Jesus Christ Superstar is more than a popular opera that happens to get some facts wrong. It is an attempt to rewrite history. It makes the traitor Judas Iscariot a victim and reduces the Lord Jesus Christ to a burnt-out celebrity who is in over His head.”
Superstar is wrong. Jesus Christ was and is the Son of the living God.
–Ken Weliever, The Preacherman